17 June 2020 — Craig Murray
The BBC plumbed the depths of hypocrisy in dressing up the final episode of the Salisbury Poisonings as a homage to Dawn Sturgess while systematically lying about the facts of her death, yet again to cover up the implausibility of the official narrative.
As I noted yesterday, the BBC drama appeared to show Charlie Rowley fishing the perfume bottle out of the charity bin at least two months ahead of when this really occurred, to make it more plausible that it had been dropped in there after the alleged attack on the Skripals. The question of how it had managed to sit in a charity bin for three months, when that bin was emptied regularly, was thus dodged.
The next alteration of a timeline by the BBC is just as crucial. The BBC had the discovery of the perfume bottle containing novichok happening before Sturgess’s death, whereas in fact the perfume bottle was not “discovered” until 11 July 2018, three days after Dawn’s death. The extraordinary thing about this is that the police had been searching Rowley’s flat intensively for “novichok” for over a week before coming across a perfume bottle sitting on the kitchen counter. As they were specifically looking for a phial of liquid, you would have thought that might have caught the eye somewhat sooner.
The final episode was more open in its attempts to provoke Russophobia than previous episodes, with images of Putin, Russia, and Boshirov and Petrov appearing. It is of course the case that the military, security service and arms manufacturing complex needs Russophobia to justify sucking away so much of our national wealth. So we should not be surprised this kind of propaganda is produced. We should also realise that those in the service of the elites that benefit from the political system will do everything they can to maintain the propaganda. It is possible to understand all of that, and still be very disappointed that so very many ordinary people fall for it. The sad fact is, propaganda works, and always has.
It is worth reminding ourselves that the Skripal incident was a propaganda initiative from day 1. The role of the Integrity Initiative and its Skripal group – in which the BBC was very much included – puts this BBC propaganda piece in its proper perspective.
I do not know what happened in Salisbury. I know that the British government story makes no sense whatsoever, and I know that the Russian government has not told us the truth about the identities of Boshirov and Petrov, otherwise their true identities would have been firmly documented and reported by now. What the Russians were doing remains a mystery, with possibilities ranging from assassination through liaison to extraction. What the British government was doing is equally murky, and whether the Skripals are willingly a part of MI6’s plans is by no means clear. Sergei’s continuing work for MI6 and his relationship with Pablo Miller are evidently key, while I suspect that Sergei’s role in Christopher Steele’s baroque, fabricated dossier on Donald Trump is probably the motive for the action.
The prosecutions of Julian Assange and Alex Salmond, and subsequently of myself, have stood in the way of my declared intention to make a documentary about the Skripal case, while the money you have so kindly contributed to my legal defence fund is almost as much as I needed to raise for the film. Attempting to counter the propaganda of the state while the state employs its legal mechanisms to drain your energy and resources is not easy. That is of course the standard lot of dissidents around the globe. It will not stop us.