Love on Fire

13 December 2021

When I read this poem by Dimakatso Sedite, it just blew me away, so much so that I’ve given it a page all on its own! To my mind, this is what poetry is all about. I think I’m in love with Dimakatso. B

LOVE ON FIRE by Dimakatso Sedite

I love Adhip, mama, his hair drips of Maghreb sands.
I’m happiness on fire. My madness is trapped on his tongue.
He does not break me like bread or fling me open like scissors.
His chest — a cocoon of hairs — not that stone that sawed my bones,
Not slippery like Galela’s gumboots.
My eyes claw on him as if sesame seeds on a bunny chow.
My love sweats the kind of madness you smell
In dogs on the run;

‘My child, when you love in seconds like that,
your heart will be charcoal within an hour,
twisting in the oven to die like soot,
like boulder Galela who got weary of the yellow
you burnt on his chest. Fires like yours flare
up everywhere, in these shacks,
in Adchip’s Atchar, in men so icy they slide
to the next house with rods writhing
bleeding feelings like yours.
Your blasted heart
will hover over pages of this township
like the hunger we breathe to fill our guts.’

Taken from: Yellow Shade by Dimakatso Sedite, Deep South Publishing

Buy the book here (for South Africans) and here for everyone else

The Covid Vaccine War

13 December 2021 — Swiss Policy Research

[There are a mass of videos at the end of this piece, but due to the fact that WordPress only allows direct Youtube video links, you won’t be able to view them here, so hopefully supplying the links will do the job! B]

Panic totalitarianism 1The coronavirus pandemic: panic vs. totalitarianism (Twitter)

Saving or enslaving humanity?

SPR and several independent geopolitical analysts have been warning since the early days of the coronavirus pandemic that the pandemic might be used as a rationale or pretext to impose a global digital biometric identity system, introduced as “vaccine passports”, that may later be expanded into a Chinese-style “social credit” population control system.

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The bleak shelter of Yellow Shade

11 December 2021 — The Mail&Guardian

Off-kilter: Sam Nhlengethwa’s My Grandmother’s Kitchen in the 60’s

The asymmetrical chair and the table cloth sitting skew in the Sam Nhlengethwa lithograph (My Grandmother’s Kitchen in the 60’s) on the cover of Yellow Shade (Deep South) are apt metaphors for how Dimakatso Sedite represents black life. Scenes are off-kilter and co-ordinates are out of place. Her poems are set in townships — the post-apocalyptic townships of the present — with her imagery giving a vertiginous sense of what it feels like to be trapped in the continuum of apartheid.

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A Day in the Death of British Justice

12 December, 2021 — Dissident Voice

By John Pilger

The pursuit of Julian Assange for revealing secrets and lies of governments, especially the crimes of America, has entered its final stage as the British judiciary – upholders of ‘British justice’ – merge their deliberations with the undeterred power of Washington.

I sat in Court 4 in the Royal Courts of Justice in London with Stella Morris, Julian Assange’s partner. I have known Stella for as long as I have known Julian. She, too, is a voice of freedom, coming from a family that fought the fascism of Apartheid. Today, her name was uttered in court by a barrister and a judge, forgettable people were it not for the power of their endowed privilege.

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Julian Assange News LInks 11-13 December 2021

13 December 2021 — The New Dark Age

A Day in the Death of British Justice
https://dissidentvoice.org/2021/12/a-day-in-the-death-of-british-justice/

The Assange Case Is the U.S. Defending Its Right to Lie
https://www.strategic-culture.org/news/2021/12/12/assange-case-us-defending-its-right-lie/

Journalism, Assange and Reversal in the UK High Court. The Extradition Procedure
https://www.globalresearch.ca/journalism-assange-reversal-high-court/5764386

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Dispossessed: Origins of the Working Class

12 December 2021 — Climate & Capitalism

CAPITAL VERSUS COMMONS, 4

Deprived of land and common rights, the English poor were forced into wage-labor

Building and clothmaking were among the largest industrial occupations in the 17th century.

Articles in this series:

  1. Commons and classes before capitalism
  2. ‘Systematic theft of communal property’
  3. Against Enclosure: The Commonwealth Men
  4. Dispossessed: Origins of the Working Class

by Ian Angus

Who built the seven gates of Thebes?
The books are filled with names of kings.
Was it the kings who hauled the craggy blocks of stone?
—Bertolt Brecht, “A Worker Reads History”

Much academic debate about the origin of capitalism has actually been about the origin of capitalists. Were they originally aristocrats, or gentry, or merchants, or successful farmers? Far less attention has been paid to Brecht’s penetrating question: who did the actual work?

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