UK: Why is Owen Jones defending a Nazi collaborator?

22 September 2021 — The Electronic Intifada

Asa Winstanley

A man with a microphone in front of a TV cameraOwen Jones talking to the press. Pete Maclaine ZUMA Press

Guardian columnist Owen Jones markets himself as a leading leftist voice.

His profile on Twitter, where he has more than one million followers, emphasizes his “anti-fascist” credentials.

Why, then, did he just publish a defense of a Nazi collaborator? An Israeli judge once ruled that Zionist leader Rezső Kasztner was Holocaust architect Adolf Eichmann’s “catspaw,” but Jones seems to disagree.

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Leftists in UK outraged as Labour Party suspends Ken Loach

16 August 2021 — Peoples Dispatch

Veteran socialist and popular filmmaker Ken Loach was expelled from the Labour Party as part of the ongoing purge of leftists and supporters of Jeremy Corbyn within the party

Ken Loach-UKKen Loach. (Photo: via Facebook)

Leftist and progressive sections across the UK expressed shock and outrage at the expulsion of veteran socialist and filmmaker Ken Loach from the Labour Party. On Saturday, August 14, Loach tweeted about his expulsion from the party. Left-wing sections denounced the Labour leadership’s decision to expel socialists like Loach. Thousands, including MP Jeremy Corbyn, extended support and solidarity to Loach.

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The smearing of Ken Loach and Jeremy Corbyn is the face of our new toxic politics

8 April 2020 — Jonathan Cook

The film-maker’s crime – like Corbyn’s – wasn’t antisemitism but recalling a time when class solidarity inspired the struggle for a better world

Ken Loach, one of Britain’s most acclaimed film directors, has spent more than a half a century dramatising the plight of the poor and the vulnerable. His films have often depicted the casual indifference or active hostility of the state as it exercises unaccountable power over ordinary people.

Last month Loach found himself plunged into the heart of a pitiless drama that could have come straight from one of his own films. This veteran chronicler of society’s ills was forced to stand down as a judge in a school anti-racism competition, falsely accused of racism himself and with no means of redress.
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HOUSMANS RADICAL BOOKS NEWS UPDATE 22 March 2013

22 March 2013Housmans

1. ‘The Revolution of Everyday Life’ with Donald Nicholson Smith this Friday 29th March
2. Housmans new publication
 ‘You Can’t Evict an Idea: What Can We Learn From Occupy?’ by Tim Gee now in stock
3. Appeal from Ken Loach
4. Easter opening hours
5.
 ‘Is green growth possible and do we really need it?’ a debate with Pete Dickenson and Derek Wall 

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Made in Dagenham: Lessons for Today from the Golden Age of Factory Unrest? by Steve Early

9 December, 2010 — MRZine

In 1968, the world was transfixed by global student unrest.  Less attention was paid to factory uprisings that occurred at the same time and overlapped with campus protests in places like France.  In one small corner of the Ford Motor Company’s huge production complex in Dagenham, England, several hundred women did their part in the “year of revolt.”  Toiling in their own-sex-segregated department, the only females in a plant of 55,000 had walked out many times in the past, over strike issues dear to their male co-workers.  Now, it was their turn to shut down sewing machines, stop production of seat covers, and picket Ford over a pay dispute with broader social implications.


Made in Dagenham is the story of their strike — born of working-class feminist consciousness in a labor movement even more dominated by “the lads” forty years ago than it is today.  Schmaltzy, upbeat, and out of synch with our current workplace gestalt of hopelessness and defeat, this filmis just what the head doctor ordered for holiday entertainment.  It is, by far, the best popular depiction of union activist creation since Ken Loach’s Bread and Roses and Martin Ritt’s Norma Rae.  If unions don’t use it to train shop stewards and bargaining committee members, that failure of labor education imagination will be understandable because Made in Dagenham captures the frequent tension between labor’s full-time officialdom and its working members, particularly during strikes.

The strike leader played by Sally Hawkins in Nigel Cole’s new movie is a very British version of the Southern textile worker portrayed so famously by Sally Fields in 1979.  Rita O’Grady is not even a union steward in the film’s early scenes of shop-floor life and work.  She steps into that role only because her older co-worker, Connie, is dealing with the suicidal depression of her husband, a damaged survivor of wartime duty in the RAF.  Unlike the mill where Norma Rae toiled, the Dagenham plant is completely organized.  Unfortunately, with the exception of Albert, a loveable chief steward ally (wonderfully played by Bob Hoskins), the union, which is a composite of several actually involved, seems to function as an arm of Ford’s HR department, a labor-management relationship not unknown to autoworkers in this country.

The political traditions of British trade unions give this arrangement humorous left cover.  In one memorable scene, a clutch of worried officials, in jackets and ties, are trying to talk Rita out of strike action that might upend some murky, big-picture strategy the leadership is pursuing.  While condescending to the only worker in the room, they address each other as “comrade” and invoke Marx as the final authority on what should and should not be done!

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Ken Loach open letter to the Edinburgh Film Festival

Mardi 26 mai 2009 – Russell Tribunal on Palestine

Ken Loach open letter to the Edinburgh Film Festival
Following an open letter from the Israeli film maker Tali Shalom Ezer (see below as well), here is Ken Loach’s full reply.

This was sent to Sunday Times but the newspaper never published this in full.

Dear Tali Shalom Ezer

From the beginning, Israel and its supporters have attacked their critics as anti-semites or racists. It is a tactic to undermine rational debate.

To be crystal clear: as a film maker you will receive a warm welcome in Edinburgh. You are not censored or rejected. The opposition was to the Festival’s taking money from the Israeli state.

The call for a boycott of Israeli cultural institutions comes from many Palestinians: writers, artists, journalists, lawyers, academics, trades unionists, teachers. They see it as ‘a contribution to the struggle to end Israel ’s occupation, colonisation and system of apartheid.’ Who are we, that we should not heed their call? Your counter arguments were used against the South African boycott yet that proved eventually to be successful.

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Guillaume Andreux and Charlotte Pello, “Ken Loach: ‘Make the Interests of Ordinary People Come First'”

25 May, 2009 – MRZine – Monthly Review

En route to the Cannes Festival, where he is to present his latest film (Looking for Eric), Ken Loach stopped by in Marseilles on the 16th of May. On the occasion of the 25th anniversary of the great miners’ strike in Britain, the NPA 13 and the Païdos Library invited the English director, whose works include Which Side Are You On?

What was your reason for coming to Marseille?

Because you asked me to! [Laughs.] The success of the NPA fills me with enthusiasm. Today, the Left is in a catastrophic state, partly because it lacks the leadership it needs. The NPA is a response to this need. I’m here because we are at an important moment right now, politically. Hundreds of thousands of people are now abandoning the old way of doing politics, tired of the establishment that has caused the current social situation. If we don’t take advantage of this moment, we may have to wait another 15 to 20 years before finding a new political opportunity. That’s why I think the NPA is a great hope.

You recently stated that the NPA was the type of project that Britain — as well as Europe in general — needed. What are the conditions that could make such a project possible in Britain?

There is a huge rejection of politics and traditional politicians. There is a political vacuum on the Left, especially on the Center-Left. What’s more, the economic system is in a horrendous state. Everyone realizes that things must change. There is therefore an obvious opportunity for the Left. There are attempts to unify the radical Left, like Respect, which has unfortunately been unable to avoid splits, marked by sectarianism. Nevertheless, there still remains a solid core that can give life to our ideas. In Britain, candidates of far-left organizations are standing in the European elections. The problem is that the Left is fragmented in too many small groups. What is needed is a united front. As long as we remain divided in small far-left parties, we won’t be taken seriously.

What do you think of the idea of a new International of anti-capitalist parties?

It’s a complex issue that requires serious discussion. We need to get together to think about it together, and we need to create a program and organize ourselves. In the face of globalization, we must impose our idea of internationalism. And we need to respond, on a European scale, with a new party of the Left. A party that makes the interests of ordinary people come first, above the demands of capital. Our goal should be to define a new social and economic structure that allows us to achieve this result. And I really hope that the NPA is the basis of this movement.

The original interview ‘Ken Loach : « Faire prévaloir les intérêts des gens ordinaires »’ was published on the Web site of the New Anti-Capitalist Party on 20 May 2009. Translation by Yoshie Furuhashi.