19 March 2020 — Edward Curtin
“Two categories of propaganda must be distinguished. The first strives to create a permanent disposition in its objects and constantly needs to be reinforced. Its goal is to make the masses ‘available,’ by working spells upon them and exercising a kind of fascination. The second category involves the creation of a sort of temporary impulsiveness in its objects. It operates by simple pressure and is often contradictory (since contradictory mass movement are sometimes necessary).” – Jacques Ellul, The Technological Society
The French-Algerian writer Albert Camus’ great 1947 novel, The Plague, is a warning to us today, but a warning in disguise. When he died sixty years ago at the young age of forty-six, he had already written The Stranger, The Fall, and The Plague, and had won the Nobel Prize for Literature.
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